{"id":207,"date":"2021-06-27T19:33:08","date_gmt":"2021-06-27T10:33:08","guid":{"rendered":"https:\/\/n-taka.info\/?page_id=207"},"modified":"2026-08-21T03:10:24","modified_gmt":"2026-08-20T18:10:24","slug":"publication","status":"publish","type":"page","link":"https:\/\/n-taka.info\/?page_id=207","title":{"rendered":"Publication \/ \u8ad6\u6587"},"content":{"rendered":"\n
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2021<\/h2>\n\n\n\n
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A Suggestive Interface for Designing Dance Formations<\/p>\n\n\n\n

Koki Endo, Seung-Tak Noh, Kazutaka Nakashima<\/strong>, Xi Yang, Takeo Igarashi<\/p>\n\n\n\n

SIGGRAPH 2021 Posters (accepted)<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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2020<\/h2>\n\n\n\n
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HedgehogAD : Interactive Design Exploration of Omni-Directional Aerodynamics<\/p>\n\n\n\n

Tomoya Kumazaki, Kazutaka Nakashima<\/strong>, Tsukasa Fukusato, Takeo Igarashi<\/p>\n\n\n\n

SIGGRAPH Asia 2020 Technical Communications [ACM DL<\/a>] [Project page<\/a>]<\/p>\n<\/div><\/div>\n\n\n\n

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Distorted Perspective for the Forward Camera Dolly<\/p>\n\n\n\n

Itsuki Orito, Xi Yang, Kazutaka Nakashima<\/strong>, Tsukasa Fukusato, Takeo Igarashi<\/p>\n\n\n\n

SIGGRAPH Asia 2020 Technical Communications [ACM DL<\/a>]<\/p>\n\n\n\n

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\u5965\u884c\u65b9\u5411\u3078\u306e\u79fb\u52d5\u306b\u5bfe\u3059\u308b\u975e\u5199\u5b9f\u7684\u306a\u30d1\u30fc\u30b9\u306e\u30a4\u30f3\u30bf\u30e9\u30af\u30c6\u30a3\u30d6\u306a\u8a2d\u8a08\u624b\u6cd5<\/p>\n\n\n\n

\u6298\u767b \u6a39, \u694a \u6eaa\uff0c\u4e2d\u5cf6 \u4e00\u5d07<\/strong>, \u798f\u91cc \u53f8, \u4e94\u5341\u5d50 \u5065\u592b<\/p>\n\n\n\n

\u7b2c28\u56deVisual Computing 2020<\/p>\n<\/div><\/div>\n\n\n\n

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\u30e9\u30d5\u30b9\u30b1\u30c3\u30c1\u304b\u3089\u306e\u7dda\u753b\u751f\u6210\u306b\u304a\u3051\u308b\u7dda\u5e45\u306e\u81ea\u52d5\u4ed8\u4e0e<\/p>\n\n\n\n

\u67f4\u7530 \u5d1a\u5e73, \u4e2d\u5cf6 \u4e00\u5d07<\/strong>, \u798f\u91cc \u53f8, \u4e94\u5341\u5d50 \u5065\u592b<\/p>\n\n\n\n

\u7b2c28\u56deVisual Computing 2020<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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2018<\/h2>\n\n\n\n
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CoreCavity: Interactive Shell Decomposition for Fabrication with Two-Piece Rigid Molds<\/p>\n\n\n\n

Kazutaka Nakashima<\/strong>, Thomas Auzinger, Emmanuel Iarussi, Ran Zhang, Takeo Igarashi, Bernd Bickel<\/p>\n\n\n\n

SIGGRAPH 2018 Technical Papers [ACM DL<\/a>] [Project Page<\/a>]<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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2017<\/h2>\n\n\n\n
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\u4e00\u5bfe\u306e\u578b\u306b\u3088\u308b\u9020\u5f62\u306e\u305f\u3081\u306e\u30a4\u30f3\u30bf\u30e9\u30af\u30c6\u30a3\u30d6\u306a\u5f62\u72b6\u5206\u5272\u624b\u6cd5<\/p>\n\n\n\n

\u4e2d\u5cf6 \u4e00\u5d07<\/strong>, Thomas Auzinger, Emmanuel Iarussi, \u4e94\u5341\u5d50 \u5065\u592b, Bernd Bickel<\/p>\n\n\n\n

Visual Computing \/ \u30b0\u30e9\u30d5\u30a3\u30af\u30b9\u3068 CAD \u5408\u540c\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0 2017 [Web<\/a>]<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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2016<\/h2>\n\n\n\n
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Interactive Deformation of Structurally Complex Heart Models Constructed from Medical Images<\/p>\n\n\n\n

Kazutaka Nakashima<\/strong>, Yuki Koyama, Takeo Igarashi, Takashi Ijiri, Shin Inada, Kazuo Nakazawa<\/p>\n\n\n\n

Eurographics 2016 Short Papers [EG DL<\/a>]<\/p>\n\n\n\n

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\u30a4\u30f3\u30bf\u30e9\u30af\u30c6\u30a3\u30d6\u306a\u5909\u5f62\u3092\u53ef\u80fd\u306b\u3059\u308b\u30c7\u30fc\u30bf\u69cb\u9020\u3092\u533b\u7642\u753b\u50cf\u304b\u3089\u81ea\u52d5\u751f\u6210\u3059\u308b\u624b\u6cd5<\/p>\n\n\n\n

\u4e2d\u5cf6 \u4e00\u5d07<\/strong>, \u5c0f\u5c71 \u88d5\u5df1, \u4e94\u5341\u5d50 \u5065\u592b, \u4e95\u5c3b \u656c, \u7a32\u7530 \u614e, \u4e2d\u6ca2 \u4e00\u96c4<\/p>\n\n\n\n

Visual Computing \/ \u30b0\u30e9\u30d5\u30a3\u30af\u30b9\u3068 CAD \u5408\u540c\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0 2016<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n\n\n

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2015<\/h2>\n\n\n\n
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Extraction of A Smooth Surface from Voxels Preserving Sharp Creases<\/p>\n\n\n\n

Kazutaka Nakashima<\/strong>, Takeo Igarashi<\/p>\n\n\n\n

ACM SIGGRAPH 2015 Posters [ACM DL<\/a>]<\/p>\n\n\n\n

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\u30dc\u30af\u30bb\u30eb\u30a2\u30fc\u30c8\u3092\u975e\u30dc\u30af\u30bb\u30eb\u5316\u3059\u308b\u624b\u6cd5\u306e\u7814\u7a76<\/em><\/p>\n\n\n\n

\u4e2d\u5cf6 \u4e00\u5d07<\/strong>, \u4e94\u5341\u5d50 \u5065\u592b<\/p>\n\n\n\n

Visual Computing \/ \u30b0\u30e9\u30d5\u30a3\u30af\u30b9\u3068 CAD \u5408\u540c\u30b7\u30f3\u30dd\u30b8\u30a6\u30e0 2015<\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

2021 A Suggestive Interface for Designing Dance Formations Koki Endo, Seung-Tak Noh, Kazutaka Nakashima, Xi Ya […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-207","page","type-page","status-publish","hentry"],"blocksy_meta":{"styles_descriptor":{"styles":{"desktop":"","tablet":"","mobile":""},"google_fonts":[],"version":7}},"_links":{"self":[{"href":"https:\/\/n-taka.info\/index.php?rest_route=\/wp\/v2\/pages\/207","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/n-taka.info\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/n-taka.info\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/n-taka.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/n-taka.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=207"}],"version-history":[{"count":1,"href":"https:\/\/n-taka.info\/index.php?rest_route=\/wp\/v2\/pages\/207\/revisions"}],"predecessor-version":[{"id":300,"href":"https:\/\/n-taka.info\/index.php?rest_route=\/wp\/v2\/pages\/207\/revisions\/300"}],"wp:attachment":[{"href":"https:\/\/n-taka.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}